The Self Assertion in the Works of Walt Whitman and Allama Muhammad Iqbal

Abstract

Comparing Whitman and Allama Iqbal is to do so by analyzing multiple labels that have been attached to both of them. While there is some merit associated with each label, these still do not encompass the complexity these poets might hold. Another important and interesting similarity between the two is that they both have been divinized as well as demonized. Although, quite divergent, these two approaches carry further the multiplicity and diversity of their expression and interpretation. What Whitman affirms in “Song of Myself” can be applied to both. In this regard, their choice of poetic form for the delineation of their philosophic and mystical concepts especially the concept of the self is also significant. It can be explained on the ground that an artist has a unique perception of things and art is the medium that the artist uses for searching his identity and self. So they both consider it the duty of the poet to open new vistas of meaning for the secrets of existence so that the process of betterment may continue. They want the poet to be dynamic with a vision that extends beyond worldly horizons, planets and space into the cosmos. The poet as a leader, seer and reformer creates new and beautiful forms and interprets the human aspirations. His thought is universal and all embracing and it contains material, moral and spiritual aspects of life. That is the reason that both these poets, Whitman and Iqbal, are as much concerned with the world of material values as with the world of spiritual and aesthetic values. The world of matter is as much important and significant as the world of spirit. These two worlds are interconnected and compliment each other.